rant

Toronto Film Festival 2018 Review

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My annual, very, very long rant about the recent 2018 Toronto International Film Festival (TIFF) from a photographer’s point of view. If you’re not somehow involved with TIFF then it might be better to skip this post. I’m just trying to reach a certain audience. The reason is that each year, TIFF sends out a survey asking for journalists’ thoughts about the film festival but there are no questions for photographers. The film festival treats photographers as an afterthought and never bothers asking for their opinions.

 

TL;DR: This year, some things got better, some got worse and a few things sadly haven’t changed. TIFF has no real focus as it tries to be everything to everyone. Middle age is showing as TIFF just reiterates what it did the previous year. Final rant at the end of this post.
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Turning Down Congestion

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The Globe and Mail today published an article titled, Fed up with traffic, contractors refuse to work in Vancouver, which stated:

[Vancouver] homeowners are facing the high cost of renovation and maintenance as tradespeople either opt out of working in the city entirely, or charge extra for having to go there.

A big reason for the premium cost of hiring the trades is the city’s traffic, contractors say. Vancouver traffic is so congested, and so time-consuming, it makes working there a losing proposition.

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Negotiating Need

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I received an email from a local photographer about my previous post. This photographer couldn’t see anything wrong with doing 70 business headshots for $1,000 (i.e., $14 per portrait). She said she “would be thrilled” to make $1,000 in one day. She said she’s been a professional photographer for ten years.

Sigh.

After a couple of e-mail exchanges, it was clear this photographer didn’t know the difference between revenue and profit. She knew nothing about overhead costs, didn’t track any of her expenses and didn’t even have an Ontario business licence. But yet she’s a “professional”.
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Mind Your Own Business

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It’s been said the most important thing to learn is how to learn.

Most people will do a Web search when they need to learn something because it’s fast and free. But search engines offer disconnected, unverified information in random order. The searcher has to know how to interpret and verify the found information. They have to know how to learn.

The purpose of search engines is to offer shortcuts to what you *might* want to know. This is okay when you just want some quick information but it’s usually not good enough when you want to gain knowledge.

By making it easy, search engines don’t really help us learn. Search engines tell us what we asked for and not necessarily what we need to know. Search results can make you think you’ve learned something when, in fact, you haven’t (link to PDF). There’s a difference between knowing a few facts and actually learning something.
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Fixing A Hole

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Photographers, do you recognize this little thing:

Hint #1: It costs about 40 cents.

Hint #2: If it breaks, it can prevent you from properly using your expensive long lens.
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Reach for the Top

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A job search engine company published its annual list of top Canadian employers. A printed version was inserted in today’s The Globe and Mail newspaper.

Not all of the selected top employers were profiled in the (online and printed) magazine. But by some strange coincidence, every profiled company had an ad in the publication and, as of today’s date, 33 of the 38 profiled companies had employment ads listed on that job search engine.

If you flip through the magazine, you can tell which companies hired professional photographers and which decided to go with, uh, inexperienced photographers.

You will notice an awful lot of group pictures showing people doing nothing but standing or sitting around. There are also a number of photos that most professional photographers would’ve deleted. To be fair, there is one good group photo and several other acceptable images.
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Taking stock of your photography

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Everything old is new again. Maybe it’s because a new audience is always being born or maybe it’s because some folks fail to learn from history.

Around the year 2000, a Canadian web developer started his own online stock picture agency. Back then, existing stock agencies usually screened prospective photographers and they refused his photos as not being good enough.

His new stock agency accepted everyone and initially gave pictures away for free. But he soon realized that free wasn’t sustainable and he began to charge a few dollars per picture. His stock site was aimed at amateur photographers who were happy to give away their pictures:

The monetary rewards are an added bonus, but I don’t think they’re everything for everyone,” he said. “I think our core group of photographers, our 2000 exclusives” — photographers with portfolios exclusive to iStockphoto — are motivated by the reward of being part of an elite club that engages in creative discussion nonstop.

– Bruce Livingstone

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