event photography

Toronto Film Festival 2018 Review

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My annual, very, very long rant about the recent 2018 Toronto International Film Festival (TIFF) from a photographer’s point of view. If you’re not somehow involved with TIFF then it might be better to skip this post. I’m just trying to reach a certain audience. The reason is that each year, TIFF sends out a survey asking for journalists’ thoughts about the film festival but there are no questions for photographers. The film festival treats photographers as an afterthought and never bothers asking for their opinions.

 

TL;DR: This year, some things got better, some got worse and a few things sadly haven’t changed. TIFF has no real focus as it tries to be everything to everyone. Middle age is showing as TIFF just reiterates what it did the previous year. Final rant at the end of this post.
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Customer Photo Guidelines

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Another view-from-my-office photo taken during a tennis tournament, 11 August 2018. The approaching rain storm really did look like that. The sun (top-right-rear) was shining through the dark rain clouds.

British photographer Neil Turner wrote a post on his blog about customer expectations and customer-supplied photo guidelines.

Almost every commercial and PR client had a prepared guide that let you know what they wanted from a commissioned shoot and a few pointers of what they, or their end client, liked and didn’t like in their pictures. These ranged from really helpful pointers about what kind of clothing should be worn for portraits or whether or not images should have unfussy backgrounds through the obvious such as “images should be properly exposed” to the mildly bizarre “avoid any and all references to money”.

– Neil Turner

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Composition Wise and Whys

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There are many online photography tutorials offering technical tips and advice. Much of this information is simplistic and superficial.

For example, when doing a portrait, they’ll tell you not to have harsh shadows on the subject’s face. The problem with information like this is that it isn’t scalable. It’s more beneficial to have information that you can use in any type of photography no matter what your subject matter.

Why do people look at pictures and how do they look at pictures? If you can answer these two questions then you can scale this information across any type of photography.

This post is long but the concepts are simple. Spoiler alert: this isn’t really about photography but rather it’s about human nature and how we perceive things around us.
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Toronto Film Festival 2017 Review

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My annual, ridiculously long rant about the recent Toronto International Film Festival (TIFF). If you’re not somehow connected to, or involved with, TIFF then it might be better to skip this post. I’m just trying to reach a certain audience. The reason is that each year, TIFF sends out a survey asking for journalists’ thoughts about the film festival but there are no questions for photographers. The film festival seemingly has no regard for photographers because it treats photography as an afterthought.

tl;dr:

1) Someone must have read this blog because this year TIFF finally sent out a directory of publicists. In the past, photographers weren’t allowed to have this list. The directory is important if you have to arrange a photo shoot with a director, actor, producer, etc.

 

2) Someone did not read this blog because TIFF, yet again, failed to email the list of red carpet events even though this information was available almost two weeks prior to the festival. Thank goodness publicists sent out much of this information ahead of time.
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Why you need a professional sports photographer

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If your company is organizing or sponsoring a professional sports event then you know that you need photography. The photos can be used for your social media, press releases, event programs, annual report and to market next year’s event.

Look at the following pairs of photos. In each pair, one image was shot by an employee with a cell phone or a cheap camera and the other image was made by a professional photographer. Can you figure out which is which?

 


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Splitting a Photographer

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Splitting Time

Sometimes a photographer might be asked to split up a work day into non-consecutive hours. This can happen with weddings, business conferences and other full-day events where the customer wants the photographer to cover only certain parts of the event. The customer usually expects the photographer not to charge for any downtime.

For example:

• A bride might want the photographer to cover her afternoon wedding ceremony from 1:00pm to 2:30pm and the evening dinner from 6:00pm to 10:00pm. The photographer would then have a 3-1/2 hour split in their day.

• A business conference organizer might want the photographer to cover the opening speeches from 9:00am to 10:30am, a keynote presentation from 1:00pm to 2:00pm and an evening reception from 6:00pm to 8:00pm. In this case, the photographer has two blocks of downtime.

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