editorial photography

Reminiscing (Part Two)

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Indulge me as I reminisce about a few more photos and aimlessly fill another blog page.

The pictures below are all scanned film images. Each of these portraits, except for the last one, were done in about five minutes because that’s usually all the time a photographer got.

 

US musician Kyle Eastwood (yes, that “Eastwood”) in Toronto, January 19, 1999. He composed the music for several of his father’s movies as well as for one of his sister’s movies. I’ve also photographed his father and sister.

The photo was done with one softbox to the left and Fuji Press 400 film.

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Reminiscing (Part One)

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Much of what I shoot involves people and often large groups of people. The ongoing pandemic has meant that most of my business has stopped although I expect things to slowly return this month.

So with time on my hands and blog pages to fill, I thought I’d reminisce about a few old photos.

 

Twenty-three-year-old supermodel Paulina Porizkova (L) poses with Estée Lauder in 1988. Up until this photo was taken, I always thought “Estée Lauder” was just a fancy name invented by a cosmetics company.

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Editorial Sports Photography Is Dead

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If you’re thinking of becoming an editorial sports photographer, don’t.

 

 

Or at least first read this 2015 interview with five veteran sports photographers.

This short article describes what has happened over the past dozen years in editorial sports photography.

Basically, the deal is, editorial sports photography is completely dead as a market for a photographer to make even a modest living. Dead. Kaput. Over. Flatlined. The best action photographers in the world, who freelanced or were staffers at the major sports magazines, are all out of work . . .

– Robert Seale, photographer

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Visualizing A Better Story

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A potential customer asked for “action pictures” of their employees. What do the employees do at this financial company? They sit all day long and tap away at their computers.

Five weeks ago, I photographed at an office which was an entire floor of employees quietly typing inside beige cubicles. I was also recently at a healthcare company’s warehouse-sized call centre that was wall-to-wall cubicles of employees talking on telephones while they typed on computer keyboards.

Even at a tech company’s office, which is well-known for its fun decor and in-office perks, the employees sat quietly at tables tapping away at their laptops. (This tech company office had no landline phones except for the receptionist. When I stood in this office, the only sound I heard was that plastic clicky sound from keyboards.)

So where’s all the action?
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Why your company needs a photojournalist

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The British Columbia Liberal Party recently hired a former photojournalist to photograph its leader, the current premier of that province. The party is heading towards a 2017 election.

The Wildrose Party of Alberta did the same thing a year ago by hiring (on a part-time basis) a freelance photojournalist.

Almost every photographer, hired by the Prime Minister’s Office (PMO) to cover the Canadian Prime Minister, has been a working photojournalist.

In the first two cases, the photographers are paid by the provincial political party, not the taxpayers.

Political parties could save a lot of money by hiring the lowest-bidder-with-a-camera, by doing the photos themselves, or by not hiring a photographer at all. But these political parties know that they need authentic, story-telling photography to communicate their message. This is marketing 101.

(Added 2018: The Ontario Liberal party hired a freelance photojournalist to photograph the re-election campaign of the premier.)
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