When to pay less for corporate photography

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All companies need some type of corporate photography to help market their business. And of course when hiring a photographer, every company is looking for a deal, a bargain, a discount.

Professional photography isn’t like selling widgets or any low marginal-cost item. When a photographer has a very low price, it means something is off, something is missing. But is this always a bad thing?

It’s okay to go with cheap photography when:

• You want less.

• You’re happy with good enough.

• You don’t mind working with a less-experienced photographer.

• You like to cut corners.

• The pictures aren’t really important.

• Your business marketing doesn’t have to be effective.

• You don’t need to make a good impression.

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Memorable (part 2)

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In his 2011 book, Moonwalking with Einstein, science writer Joshua Foer describes how someone can increase their memory. He learned of a technique while covering a national memory competition. The following year, Foer won that same competition using this very technique.

To improve one’s memory, Foer learned that one has to associate an image with the information that needs to be remembered. The more memorable that image, the better the chance of remembering. It’s possible that Allan Paivio’s Dual Coding Theory (visual explanation here ;-) ) might help explain this.

Alexandra Horowitz, a PhD in cognitive science who teaches psychology at Barnard College in the US, wrote, “… a simple fact of human cognition: we naturally remember visual images. … The less banal, the better. Quotidian scenes are forgettable. What snags the cells of our brains are disgusting, bizarre and novel images.”
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Memorable (part 1)

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A university study recently published in Psychological Science concluded that taking pictures may impede one’s memory. The press release is here.

A brief summary of this study: one group of people were asked to take some general pictures during an art museum tour. The next day, these people had difficulty remembering exactly what they had seen. But a second group, who were asked to zoom in and photograph specific details of what they saw and to pay more attention to their photography, had better memory of what they had seen during their tour.

Sadly, the study uses the silly phrase “photo-taking impairment effect”. The researcher wrote, “In order to remember, we have to access and interact with the photos, rather than just amass them.”
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Marginally cheaper by the dozen

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You can tell that it’s getting close to the end of the year as companies rush to get work done or hurry to spend any remaining budget. In the past two weeks, I received nine inquiries for business portraits and each job had to be delivered and invoiced before December 31. The requests ranged from two to thirty business headshots.

One potential customer asked why I don’t offer a bigger volume discount for multiple business portraits. They wondered why the cost to shoot 30 business headshots didn’t drop to under $50 each.

Here’s why:
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Typecasting

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There’s a quote attributed to French author Antoine de Saint-Exupery that, roughly translated, says:

When you want to build a ship, don’t start by gathering wood, cutting boards and distributing the work, but awaken in men a desire for the vast and endless sea.

A similar philosophy could apply to photographers who seek quality customers. Instead of passively accepting any customer at any price level, it may be better to first teach customers to understand and appreciate the benefits of quality photography. Educated customers will expect more and pay more.

There are four types of customers:
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For Internet Slaves

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If you’re an “Internet slave”, read this New York Times article by writer and cartoonist Tim Kreider about working for free.

Practicalities aside, money is also how our culture defines value, and being told that what you do is of no ($0.00) value to the society you live in is, frankly, demoralizing. Even sort of insulting. And of course when you live in a culture that treats your work as frivolous you can’t help but internalize some of that devaluation and think of yourself as something less than a bona fide grown-up.

For most professional photographers, this should not be news. But photographers new to the business should pay attention.

 

More or less

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Two corporate photographers were talking shop. The first photographer said that he recently charged $6,500 to produce 14 studio portraits for a company’s annual report. The second photographer replied, “They should’ve called me. I would’ve done it for $2,000.”

And there’s the problem.

The second photographer said he would’ve been happy to do the same work for less money. If this photographer was smart, he should’ve asked, “What did you do to earn that fee?”

Of course, the ideal situation is to figure out how to do the same work and be paid more. What would a photographer have to add in order to earn more?

Some photographers forget that it’s not supposed to be a race to the bottom. Photographers compete mostly with themselves. It’s not about charging less than another photographer but rather it’s about figuring out how to deliver more to the customer.

When the choice is between (a) doing the same work and getting paid more, or (b) doing the same work and getting paid less, it’s surprising how many photographers will choose less.

 

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