A Bit of Noise

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It’s common to shoot business portraits against a seamless background. Photographers will often add a tonal gradient instead of using this flat-toned background. This gradient helps create depth, making the subject stand out more distinctly from the background.

But when the final image is saved as a JPEG, the file compression can cause the gradient to posterize, especially if the gradient was steep. Posterization occurs when the smooth transition of tones is replaced by abrupt colour shifts or banding. A small amount of posterization won’t be noticeable to the customer and won’t be visible in print or online images.

Low JPEG settings (high compression) make posterization more apparent, while the highest JPEG settings can minimize it. But if a customer needs a small file size, using a high-quality JPEG setting may not be feasible.
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Lasting photo memories

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Last week, I went to a funeral. As is common these days, the family had a photo gallery on their son’s online obituary page. The pictures covered almost the last half of their son’s life.

Many of the photos were either out-of-focus, badly exposed, had heads partially cut off, or the boy was so far in the background he was barely visible. Most of the recent photos appeared to have been shot with a cell phone due to the obvious low resolution and low quality.

Pictures are important, especially personal pictures.

If you’re a parent with young children, please buy a real camera and learn how to use it.
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Mission Creep

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A potential commercial client e-mailed to say they needed “a few product shots” and they’d do all the post-production work on the images. Their budget for “a four hour photo shoot” was quite small but it could be doable if there was only a few products and the production value was kept low (no assistant, no big lights).

I called the company to get more information.

Yes they wanted a few product shots. In fact, they wanted all of their products photographed with full studio lighting. Since some products were big and heavy, the lighting would have to be moved from location to location within the building (i.e. at least one assistant would be needed).
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Electing a Photographer

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In less than two weeks, the province of Ontario will have municipal elections. Here in Toronto, there are 65 candidates running for mayor, (19 others have dropped out). In my area, there’s also eleven candidates for councillor and seven for school board trustee. With so many candidates, how do you choose?

Maybe it becomes a Paradox of Choice [and here]: the more choices you have, the less likely you are to make a choice. And if you do make a choice, it tends to be based on irrelevant criteria such as how a candidate looks rather than, for example, their policies.

Choosing a photographer for an upcoming photo project can also be overwhelming because there are so many choices.
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An Open Letter to Prime Minister Stephen Harper

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As reported by The Globe and Mail (and here), CTV, Toronto Star, Macleans and others, the Canadian federal government (or probably more accurately, the Prime Minister’s Office) is planning to amend Canada’s Copyright Act so that the government can freely use any “news” content for any of its political advertising without the permission of the copyright holder(s).

“News” is in quotes because it’s only vaguely defined as being any published content that features any politician acting in their capacity as a politician or anyone who might be seeking a political position, or relates to any political issue. News content can include video, photographs, text, audio and music.

“Published” seems to be defined as being published, broadcast or otherwise made available, in any media, to the public. This includes any TV news broadcast or any other news program, news radio programs, newspapers, news periodicals, and news web sites including everyone’s favourite “news” site, Youtube.
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A Photo Opportunity Without Any Opportunity

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I photographed a press event in Toronto yesterday that was poorly organized, with bad lighting, terrible staging, and a bad media team. It was run by the Prime Minister’s Office.

The media had to undergo security searches by both police and sniffer dogs. The audience simply walked in.

There were strict rules for journalists: where to stand, where not to go, and what not to shoot. Reporters were barred from asking questions or conducting interviews. The audience had free rein to move about and stand anywhere.

The event’s setup was chaotic. Three political VIPs, the Canadian Prime Minister and two European Union presidents, were seated on a low stage at one end of a cramped, narrow room. The audience had to stand because there were no chairs. Photographers were confined to a low riser behind the audience.

This arrangement meant the three seated leaders were barely visible to the photographers or TV cameras, and they were spaced too far apart to capture a group shot.
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Toronto Film Festival 2014

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(You may want to do yourself a favour and skip this absurdly long post.)

Each year I write about covering the Toronto International Film Festival (TIFF) hoping that it’ll be my last post on the subject. But each year, TIFF finds new ways to mess things up even more than the previous year.

The Good

First, the good things about the 2014 film festival:

• It’s over. :-)

 

• When picking up media accreditation, TIFF no longer gives photographers a shopping bag full of useless promotional material. Sadly though, photographers still don’t get the information they need to do their job – a full schedule with dates and times. More on this later.

 

• WiFi was added at one venue. Considering that the country’s largest ISP is the main sponsor of the event, it’s a wonder why it took so long. Sadly though, photographers still have to sit on the ground to work.
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