Composition Wise and Whys

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There are many online photography tutorials offering technical tips and advice. Much of this information is simplistic and superficial.

For example, when doing a portrait, they’ll tell you not to have harsh shadows on the subject’s face. The problem with information like this is that it isn’t scalable. It’s more beneficial to have information that you can use in any type of photography no matter what your subject matter.

Why do people look at pictures and how do they look at pictures? If you can answer these two questions then you can scale this information across any type of photography.

This post is long but the concepts are simple. Spoiler alert: this isn’t really about photography but rather it’s about human nature and how we perceive things around us.
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Selfie Science

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A scientific study released a few days ago confirmed what every portrait photographer has known forever:

If you take a picture of someone from very close up, it will distort their facial features.

Sadly this fact is not well known by people who take selfies which apparently is the number one cause of distorted faces. Some of these folks are going to plastic surgeons and requesting surgery to correct their distorted facial appearance.

Boris Paskhover, an assistant professor at Rutgers New Jersey Medical School’s Department of Otolaryngology who specializes in facial plastic and reconstructive surgery, frequently was shown selfies as examples of why patients were requesting surgery to make their noses smaller.

Researchers have named this horrible disfiguring issue as . . . wait for it . . . “The Selfie Effect.”

Dr. Boris Paskhover worked with the computer science department at Stanford University to develop a mathematic model to explain why noses look bigger when photographed close up.

Their mathematic model determined that most selfies are shot from a distances of about 12 inches which makes a nose look 30% wider. But, and here’s modern science in action, if a photo is shot from at least five feet away then the nose will look normal.

The researchers concluded that selfies are a public health issue. So please, for the sake of your health, hire a professional portrait photographer especially for your business headshots and other important portraits. Your nose will thank you.

 

Are your customers wide and flat or narrow and deep?

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If you chase every type of customer, you can end up not knowing which way to turn. Wedding customers, family portrait customers, high-school seniors, social event organizers, business headshots, real estate customers, retail web sites, consumer publications, corporate customers, commercial customers, academic institutions, etc. Who gets your attention? Everyone?

Of course you want as many customers as possible but do you want your customers to be wide and flat or narrow and deep?

Having a wide and flat customer base means that you do many different types of photography to appeal to anyone and everyone. This type of customer tends to make only occasional or relatively small purchases.

A narrow and deep customer base means that you do certain types of photography that appeal to a specific type of customer. Customers in this category tend to make more frequent or higher-priced purchases.
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Working With A Photographer

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US author Seth Godin recently wrote a post titled Working with a designer (four paths). Since my web site is about business photography, I will steal adapt Godin’s post:

 

Working with a photographer (four paths)

All of us want to look good online, need some web site photos and maybe even a portrait of ourselves. More and more individuals and companies are learning that they need to hire a professional photographer.

It comes down to doing your homework. Be clear with yourself before you spend a nickel or a minute with a photographer. This difficult internal conversation will save you endless frustration and heartache later.

Here are four postures to consider when working with a good photographer:
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Get a Head of Yourself

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What’s the number one way to boost your professional presence?

Get a good business headshot.

This proven piece of advice was recently repeated in The Globe and Mail’s career advice section:

Chris Brown, director of talent solutions for LinkedIn Canada, says numbers prove the value of tidy headshots – profiles with images get 20 times more views. Conversely, profile photos with distant shots, cartoon avatars, and photos with pets may decimate your chances of attracting a potential employer.

The same has been said about the business headshots on a company’s About Us or Contact Us page.

How do you choose a good business portrait photographer? Look at the photographer’s own portrait. If their business headshot is missing or is poorly done then you immediately know that’s the wrong photographer. You need a photographer who understands the importance of a business portrait.

 

Copyright, monkeys and creativity

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The US government stated, in its September 2017 update to its copyrights practices (link to PDF), that it will not register a copyright for any work that lacks human authorship. This includes, but is not limited to:

• A photograph taken by a monkey.

• A mural painted by an elephant.

• A claim based on the appearance of actual animal skin.

• A claim based on driftwood that has been shaped and smoothed by the ocean.

• A claim based on cut marks, defects, and other qualities found in natural stone.

• An application for a song naming the Holy Spirit as the author of the work.

You can be assured that all of the above stem from actual events.
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Taking stock of your photography

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Everything old is new again. Maybe it’s because a new audience is always being born or maybe it’s because some folks fail to learn from history.

Around the year 2000, a Canadian web developer started his own online stock picture agency. Back then, existing stock agencies usually screened prospective photographers and they refused his photos as not being good enough.

His new stock agency accepted everyone and initially gave pictures away for free. But he soon realized that free wasn’t sustainable and he began to charge a few dollars per picture. His stock site was aimed at amateur photographers who were happy to give away their pictures:

The monetary rewards are an added bonus, but I don’t think they’re everything for everyone,” he said. “I think our core group of photographers, our 2000 exclusives” — photographers with portfolios exclusive to iStockphoto — are motivated by the reward of being part of an elite club that engages in creative discussion nonstop.

– Bruce Livingstone

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