The 34th annual Toronto Film Festival has come to an end.
A few things got better, some things got worse and most stayed the same (i.e. bad). One might think that after 34 years, the event could get it right.
What got better
• The main red carpet area was greatly enhanced:
No more TV crews in the background.
The arrival area was lit with just enough light to shoot late-night arrivals without having a jet-black background. Plus, the light was even daylight balanced. In previous years, night events were very dark, lit only by the existing one or two orange street lights. I suspect the new lighting was meant for the event’s own TV needs and not for photographers.