For Photographers

Fortress Journalism

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The BBC College of Journalism released a 92-page document, “The Future of Journalism”. The information in the report is the result of a journalism conference held in London in late 2008:

Today, as technology changes the lives of both journalists and their customers, assumptions about what journalism is and how it is practiced are being re-examined.

The eight chapters include:

  • The End of Fortress Journalism
  • Introducing Multimedia to the Newsroom
  • Multimedia Reporting in the Field
  • Dealing with User-Generated Content: is it Worth it?
  • Video Games: a New Medium for Journalism
  • The Audience and the News
  • Delivering Multiplatform Journalism to the Mainstream
  • Death of the Story

If you are a journalist, this might be of interest to you. Although, ironically, much of it is old news so the report might serve as reminder.

If you’re a corporate photographer, this document might be worth reading or at least skimming. Your business clients have news and information they want to get out to the public and the news media. So perhaps there’s something to be learned from this report.

 

Illegal Motion

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Football has a penalty called “illegal motion” which is when an offensive player is in forward motion before the ball is snapped.

Speaking of offensive, there’s a contest currently being run by a Photoshop magazine (not affiliated with Adobe). The contest winner gets to pretend they’re a pro photographer on the sidelines at a USA college football game. The contest is open only to amateurs.

The prize is “a dream sports assignment of a lifetime” and includes: the winner will be loaned the necessary gear (with which they probably have no experience using); they will go to the stadium’s media room to get a “big spread of all kinds of food”, a “full blown buffet”; they will “mingle with other media folks”; and finally, the winner gets a media pass to shoot on the sidelines.
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Rules of Photography

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If you are an experienced photographer then you probably know all of this. But if you’re just starting out, here are some of the rules of professional photography (in no particular order):

There’s no such thing as a simple shoot.

The layout will change after the photo shoot is done.

The CEO always has a bad hair day.

Size of the group to be photographed varies inversely with size of the room.

The only time you need a reshoot is when there’s no time for one.

Gear always works at home. Gear always fails on location.

The chance of a piece of equipment breaking is proportional to its importance for the shoot.

The chance of a memory card failing is proportional to the importance of the images it holds.

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A word to the wise

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With huge apologies to Chicago Tribune columnist Mary Schmich who wrote the 1997 column later made famous by Baz Luhrmann.

 

If I were to address the graduating class from a photojournalism school here in Canada, it might go like this:

Ladies and Gentlemen,

If I could offer you only one tip for the future, autofocus would be it. The benefits of autofocus have been proven by photographers, whereas the rest of my advice has no basis more reliable than my own meandering experience.

Enjoy the technology and power of your current camera model. There’s no need to always upgrade to the latest gear. Oh, never mind. You won’t fully appreciate the capabilities of your camera until it’s long obsolete. But trust me, in 20 years, you’ll look back at your photos from today and recall in a way you can’t grasp now, how much possibility lay in your hands and how amazing that camera really was.
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Best Photo Sayings

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Who says photographers don’t have a sense of humour?

My sensor is bigger than yours

Film is a four-letter word

My other camera is a Leica

If all else fails . . . Photoshop!

I brake for photo ops

I’d back up my hard drive if I knew how to put it in reverse.

If at first you don’t succeed, reformat.

Power corrupts. Buy a surge protector.

Trust me, I’m a photographer.

If you’re not in focus, you’re in the way.

I’d rather be taking pictures

A bad day of photography beats a good day of working

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Canadian Freelance Union

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If you are an “independent media worker”, which is a terrible, politically-correct-sounding phrase, then this may be of interest.

The Canadian Freelance Union (CFU) (CEP Local 2040) is starting up with the support of the Communications, Energy and Paperworkers Union (CEP).

[Update: The Canadian Freelance Union is now with Unifor.]

 

The CFU is a child of the Communications, Energy and Paperworkers Union. The CEP is one of Canada’s largest unions, with over 160,000 members across the country. The CEP is also Canada’s largest media union, with over 25,000 workers already part of the organization. It is this existing strength that the CFU hopes to build on.

There are some freelance unions in Europe. In Canada, there is the Canadian Media Guild (CMG) which includes CBC freelancers. The CMG has negotiated freelance issues into the CBC collective agreement.

While I think the CFU might be accepted by a couple of larger media outlets, in these economic times, I wonder if this will be a case of too little, too late.

Had this union started 20 years ago, when times were good, then it would be in a good position today. It’s always a tough slog trying to build a shelter during the storm.

 

Here We Go Again

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I wish I could say, “back by popular demand.”

After a couple of years, I thought my first blog had run its course, assuming it was even on a course. That blog attracted a number of viewers from across the continent, which led to lots and lots of e-mails asking the inevitable, “how much should I charge for . . .”, “they stole my picture, what should I do . . .”, “what does this contract mean . . .”, and “how do I start my business . . .”

Unfortunately there are no easy answers or shortcuts. If there were, everyone would have taken that route by now. For any photo business to have a chance of succeeding, hard work and smart work are the only tools. I use the word “chance” because there are no guarantees.
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