For Photographers

Print it or lose it

As you might know, the most archival storage medium is paper. It’s also the most common and the cheapest. (Yes, rock is more archival but paper is easier to carry around.)

Yet we still digitize almost everything in the belief that this will preserve that information. But as file formats, storage formats, software and hardware become obsolete, this information may be lost.

Vinton “Vint” Cerf, recognized as a founder of the Internet and currently vice-president of Google, this week stated:

In our zeal to get excited about digitizing, we digitize photographs thinking it’s going to make them last longer, and we might turn out to be wrong.
(…)
We are nonchalantly throwing all of our data into what could become an information black hole without realizing it. We digitize things because we think we will preserve them, but what we don’t understand is that unless we take other steps, those digital versions may not be any better, and may even be worse, than the artifacts that we digitized. If there are photos you really care about, print them out.

In 2013, the Photo Marketing Association launched its Print it or Lose it campaign to encourage consumers to print their valuable photos rather than risk accidental loss of those digital images.

 

Anybody for nothing

The 1969 American cult film Putney Swope, a satire about the advertising world, corporate corruption, politics and more, has horrible acting and lots of great quotes. It also has this scene which has been posted on many photography sites:

I can get anybody for nothing.

The running gag in the film is that the commercial photographer appears at inopportune times always showing his portfolio but not getting any work.

A satire is something that pokes fun at a vice, foolishness or human folly. Feel free to interpret what the photographer represents.

 

Industrial workwear for photographers

Most corporate photographers and editorial photographers will, sooner or later, have to shoot in a factory or on a construction site. This means you have to wear safety gear.

Having photographed in factories and construction sites for many years, including two assignments today, (one at an aerospace manufacturer and the other at a hospital construction site), may I offer a few suggestions to photographers who will be shooting in a similar situation:

 

• Although they may look fashionable, do not buy safety shoes. Get 6″ or 8″ safety *boots*. The reason is that safety shoes may be allowed in factories and warehouses but they’re not permitted on construction sites.

Safety boots must have the CSA green triangle patch which confirms that the footwear has a Grade 1 protective toe and a puncture-proof sole. It helps to also have electrical shock resistance.
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A matter of inches

The more you use Photoshop, the more you find little issues with the software. For example, Photoshop lets you set the default unit of measurement for almost everything:

Almost everything.
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Business policies for photographers

It’s important for every professional photographer to have a written set of guidelines to help define how they run their business. The American Society of Media Photographers (ASMP) has a blog post with a suggested list of policies.

Policies should be guidelines for your business and not carved-in-stone rules. We’ve all run into companies that hide behind policies that don’t always reflect the situation at hand. Your policies should help customers into your photography business and not push them away.

A company’s policies should also be reasonable and legal.

Some policies may be legally required (e.g. privacy policy) and some may be strongly encouraged (e.g. PCI compliance if you accept credit cards; a refund policy).

Your business policies can be part of, or supplemental to, your Terms and Conditions. Either way, having a clear set of written policies is an absolute must for every photographer.

 

Cheap stock pictures fail yet again

Was the federal “Department of Canadian Heritage” named ironically?

The National Post this week pointed out that the cheap stock pictures used by Canadian Heritage are from a foreign-owned picture agency and were shot by foreign photographers.

Why does this federal agency use foreign photos to promote Canadian culture? It suggested that Canadian photographers are too expensive.

Unfortunately, the National Post article is many years behind the times. The federal government’s practice of using cheap stock pictures from foreign photographers has been going on for a long time. That’s correct: the Canadian government avoids Canadian photographers and buys cheaper work from abroad.
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The not so deep freeze

Today in Toronto, it was about -8˚C. A normal winter day. My cameras worked just fine outdoors. My flashes worked as normal. After less than an hour outside, I reached into an inside coat pocket to retrieve my cell phone and my iPhone 5 said:

Of course, it probably meant to say that it needed to warm up. The phone was completely useless. Thank goodness it wasn’t an emergency.

It turns out that an iPhone doesn’t like to work below 0˚C. Not even this will help.

I know that cold weather affects all batteries and can freeze LCDs. But I don’t recall having any previous cell phone freeze on me. My digital cameras have never failed even at -20˚C. The iPhone seems to be my only electronic device that fails when the temperature is less than ideal.

Perhaps today’s smartphones are wimps or maybe they’re just turning us into wimps.

 

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