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Unpaid photo internships

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Some companies offer unpaid internships to photographers. Typically, the company requires the photographer to supply camera equipment, computer and car. In return, the photographer can work up to full-time hours and get nothing in return except a credit line.

These “internships” are illegal.

From the Ontario Ministry of Labour:

The fact that you are called “an intern” does not mean that you are not an employee for purposes of the [Employment Standards Act]. Generally speaking, if you perform work for another person or a company or other organization and you are not in business for yourself, you would be considered to be an employee, and therefore entitled to [Employment Standards Act] rights such as the minimum wage. There are some exceptions, but they are very limited, and the fact that you are called an intern is not relevant.

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Pass on this pass

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With the proliferation of cameras and web sites, almost everyone is claiming to be a photographer or a journalist. Yesterday, I received an e-mail from a wedding – portrait photographer asking how he can get a Press ID card. And, he was in a hurry because he wanted to get into an event this weekend.

My answer was: Press ID cards are for people who work for the Press.

If you run any event in Canada, be aware that there is no such thing as a generic “Press card” or “Press pass”. Anyone who tries to use such a card to gain entry to your event is a fraud.

Anything that simply says “PRESS PASS”, “PRESS” or “MEDIA” is fake. A business card is not a press pass.
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Increased earnings

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It’s often said that there are three general types of media that a company can use to spread its business message:

Paid: the company buys an advertisement.
Owned: the company places information on its own web site(s).
Earned: the company gets free coverage in the news media.

Paid and owned are easy to understand and implement although most companies under-utilize their web sites. In these two cases, the company controls the message but both suffer from credibility issues especially with paid media.

Paid advertising only increases brand recognition (i.e. exposure). It does nothing for brand acceptance (i.e. trust).
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Opinionated Portraits

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A quote from US portrait/fashion photographer Richard Avedon in his book In The American West:

A portrait is not a likeness. The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion.

When a portrait photographer chooses lighting, lens, camera angle and the moment to click the camera shutter then it’s the photographer’s opinion that matters most. This is the “opinion” that Avedon refers to in the above quote.

But for commercial portrait photographers, when the subject looks at their proofs and chooses their favourite picture then it’s the subject’s opinion that matters most.

When a viewer looks at the finished portrait, it’s the viewer’s opinion that matters most. The viewer gets the last word.

This is why, for a commercial portrait such as a business portrait, the first two opinions have to work together to help positively influence the third and final opinion. A business portrait has to be done with care to create the desired response in the mind of the viewer.

 

Photography for press releases

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If a company’s press release gets published but no one reads it, did that company get its money’s worth?

News editors know that a photo can increase readership of a story by up to 300%. In fact, just any picture can boost readership by at least 34%. Readership studies have always confirmed that the first thing a viewer notices on a page is a photograph. The last thing they read is the copy.

If a press release is published without a picture, it literally may be the last thing a reader sees.

A photograph is the entry point to a page and the invitation to read the article. Studies have proven that including a photo with the text will increase both reader interest and comprehension in that article. The corollary to this is that readers feel more involved with a story when it’s accompanied by a photo.
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Stealing Souls

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During a portrait session, if the subject jokingly asks if my camera will steal their soul, I’ll answer, “I hope so.”

It rubs me the wrong way, a camera. It’s a frightening thing. Cameras make ghosts out of people.

– Robert Zimmerman (aka Bob Dylan)

Sometimes a photographer will try to steal a bit of their subject’s soul. This is what separates a great portrait from an average one. Ideally a portrait should allow the viewer a moment’s chance into the subject’s world.
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Photographers and crooks

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Just in case you were wondering:

 … we photographers are nothing but a pack of crooks, thieves and voyeurs. We are to be found everywhere we are not wanted; we betray secrets that were never entrusted to us; we spy shamelessly on things that are not our business; and end up the hoarders of a vast quantity of stolen goods.

— Gyula Halász (aka Brassaï) 20th-century Hungarian photographer/artist.

 

If I’d had the nerve, I’d have become a thief or a gangster, but since I didn’t, I became a photographer.

— Emmanuel Radnitsky (aka Man Ray) 20th-century US photographer/artist.

 

 

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